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By Kelly Hurley

Readers accustomed to Dracula and The unusual Case of Dr Jekyll and Mr Hyde won't understand that dozens of both awesome Gothic texts have been written in nice Britain on the finish of the nineteenth-century. This publication money owed for the resurgence of Gothic, and its monstrous reputation, throughout the British fin de siècle. Kelly Hurley explores a key state of affairs that haunts the style: the lack of a unified and reliable human id, and the emergence of a chaotic and transformative 'abhuman' identification as an alternative. She indicates that such representations of Gothic our bodies are strongly indebted to these present in nineteenth-century biology and social drugs, evolutionism, legal anthropology, and degeneration conception. Gothic is printed as a hugely efficient and speculative style, status in opportunistic relation to nineteenth-century clinical and social theories.

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The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle (Cambridge Studies in Nineteenth-Century Literature and Culture) by Kelly Hurley


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